5 edition of The German drama of the nineteenth century found in the catalog.
|Statement||by Dr. Georg Witkowski... authorized translation from the 2d German ed., by L. E. Horning.|
|Contributions||Horning, Lewis Emerson, b. 1858.|
|The Physical Object|
|Pagination||x p., 1 ., 230 p.|
|Number of Pages||230|
|LC Control Number||09015867|
Spring Awakening (German: Frühlings Erwachen) (also translated as Spring's Awakening and The Awakening of Spring) is the German dramatist Frank Wedekind's first major play and a seminal work in the modern history of theatre. It was written sometime between autumn and spring , but did not receive its first performance until 20 November when it premiered at the Deutsches Theater Place premiered: Deutsches Theater, Berlin. "Tales from the German Underworld offers us four fascinating glimpses of crime and punishment in 19th-century Germany Evans presents his archival findings with great verve and panache."—Martin Swales, Times Higher Education Supplement "The individuals featured in Evans's book provide memorable examples of such evasion and manipulation.
Psychological costume drama about the life in Kleinlitauen / Preußisch-Lithuania region of the 19th century in East Prussia. The script is based on . "A lucid, innovative work of top-flight scholarship. Gross shows us the depths of anti-Catholicism in nineteenth-century Germany; he explains why the German Kulturkampf had such force and why prominent liberals imagined it as a turning point not only in Germany but in world history." Helmut Walser Smith, Vanderbilt University "A marvelously original account of how the Kulturkampf emerged.
Over the long nineteenth century, German book publishing experienced an unprecedented boom, outstripping by all other Western nations. Responding to the spread of literacy, publishers found new marketing methods and recalibrated their relationships to authors. German literature in the 19th century was written against a background of political aspirations for nationhood, democracy and freedom of speech. Censorship and authoritarianism prevailed for much of the century. The medieval Holy Roman Empire (which had lasted in Europe for six centuries) came to an end after Napoleon’s defeat of Austria (at Austerlitz in ) and Prussia (at Jena in ).
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An examination of mainstream German theater at the end of the 19th century provides the reader with a better understanding of how Wedekind's plays departed from the majority of works at the time. Europe as a whole experienced a flourishing of the dramatic arts during the second half of the 19th century.
Genre/Form: Criticism, interpretation, etc: Additional Physical Format: Online version: Witkowski, Georg, German drama of the nineteenth century. Essays on Twentieth-Century German Drama and Theater: An American Reception, By Hellmut Hal Rennert Peter Lang, Read preview Overview A History of Late Nineteenth Century Drama, - Vol.
1 By Allardyce Nicoll University Press, About the Book. Books on British and Irish Theatre mainly contain the full scripts of plays that were written in Britain and Ireland.
The theatre flourished in Elizabethan times, led by William Shakespeare, was paused during the Puritan period, but restored in the late 17th century. The German Drama Of The Nineteenth Century [FACSIMILE] [Lewis Emerson Horning] on *FREE* shipping on qualifying offers. HIGH QUALITY FACSIMILE REPRODUCTION: Horning, Lewis Emerson: The German Drama Of The Nineteenth Century: Facsimile: Originally published by New York: H.
Holt and company; etc. The German Drama of the Nineteenth Century:  [Witkowski, Georg] on *FREE* shipping on qualifying offers. The German Drama of the Nineteenth Century: Author: Georg Witkowski. Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century.
In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas, Wilde's drawing.
About Nineteenth-Century Germany. John Breuilly brings together a distinguished group of international scholars to examine Germany's history from tofeaturing chapters on economic, demographic and social as well as cultural and intellectual history.
The German Drama of the Nineteenth Century By Georg Witkowski; L. Horning H. Holt, Read Overview Art, Ideology & Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts By Alan E. Steinweis University of North Carolina Press, The German drama of the nineteenth century Item Preview HTTP" link in the "View the book" box to the left to find XML files that contain more metadata about the original images and the derived formats (OCR results, PDF etc.).
FAQ for information about file content and naming conventions. Translation of Das deutsche Drama des neunzehnten. German literature - German literature - The 19th century: The early years of German Romanticism have been aptly termed the theoretical phase of a movement whose origin can be traced back to the Sturm und Drang era and, beyond Germany itself, to the French philosopher and writer Jean-Jacques Rousseau.
An interest in individual liberty and in nature as a source of poetic inspiration is a common. German ("Masterpieces of German Drama") registers for German and reads the same works in the best translations procurable. For convenience we may take as starting point the well-known anthology of T.
Campbell, German Plays of the Nineteenth Century (New. To place German literature in the context of European culture is a tall order. What René Wellek called “the ‘foreign trade’ of literatures”¹ has been examined with extraordinary thoroughness in regard to nineteenth-century German literature and its European connections because they are so numerous, so dense, and so influential.
Theatre - Theatre - Developments in the 19th century: Under Napoleon, French theatre was little different from that of the s, specializing in Neoclassical drama. Popular drama, as performed by what were known as “boulevard theatres,” introduced melodrama, a form that was to dominate theatre in the 19th century.
Melodrama, in turn, by popularizing departures from Neoclassicism and. (shelved 9 times as german-history) avg rating — 27, ratings — published Want to Read saving. This volume provides an overview of the major movements, genres, and authors of 19th-century German literature in the period from the death of Goethe in to the publication of Freud's Interpretation of Dreams in Although the primary focus is on imaginative literature and its genres, there is also substantial discussion of related topics, including music-drama, philosophy, and the Author: Clayton Koelb.
Filed under: German drama -- 20th century -- Translations into English The Dramatic Works of Gerhart Hauptmann (7 public domain volumes; New York: B.
Huebsch, c), by Gerhart Hauptmann, ed. by Ludwig Lewisohn, trans. by Ludwig Lewisohn, Mary Morison, Roy Temple House, Charles Henry Meltzer, Sarah T. Barrows, and Bayard Quincy Morgan. Internet Archive BookReader The German drama of the nineteenth century. Authorized translation from the 2d German ed.
This volume provides an overview of the major movements, genres, and authors of 19th-century German literature in the period from the death of Goethe in to. Gail Finney has written or (co)edited seven books: The Counterfeit Idyll: The Garden Ideal and Social Reality in Nineteenth-Century Fiction (Niemeyer, ), Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century (Cornell University Press,), Look Who’s Laughing: Gender and Comedy (ed.) (Gordon and.
Germans at War graduate course, taught in German, discusses the representation of warfare in German literature from the late eighteenth century to the present. Nostalgia and Utopia: German Literature and Culture in the Early Nineteenth Century: survey course, taught in German.Eight German Novellas Book Summary: This selection features eight Novellen by leading German writers of the nineteenth century.
Newly translated, each piece has an introduction which explores the many contradictions in the theory and practice of the novella, as well as analysis of the narrative devices of individual stories. The first book in the extensive literature on German history writing to examine how modern German historians reinterpreted a specific event to define national identity and legitimate political and ideological agendas, The Thirty Years’ War and German Memory in the Nineteenth Century is a bold intellectual history of the confluence of history Pages: