Last edited by Mele
Sunday, May 17, 2020 | History

2 edition of Experimental research in the psychology of music, 10. found in the catalog.

Experimental research in the psychology of music, 10.

Edwin Gordon

Experimental research in the psychology of music, 10.

by Edwin Gordon

  • 31 Want to read
  • 7 Currently reading

Published by University of Iowa Press in Iowa City, Iowa .
Written in English

    Subjects:
  • Music -- Psychological aspects -- Periodicals.

  • Edition Notes

    StatementEdwin Gordon, editor.
    SeriesUniversity of Iowa studies in the psychology of music -- v. 10
    The Physical Object
    Pagination185 p. :
    Number of Pages185
    ID Numbers
    Open LibraryOL22364715M

    Neuropsychologist Daniel Levitin, PhD, studies the neuroscience of music and how music affects our mental and physical n is a professor of psychology, behavioral neuroscience and music at McGill University in Montreal. He is the author of the book “This Is Your Brain on Music.”Levitin has degrees in cognitive psychology and cognitive science from Stanford University and the. Music therapy is a diverse field and music therapy research increasingly reflects that diversity. Many methods and approaches are used to examine the various facets of music therapy practice and theory. This chapter provides an overview of music therapy research, and provides basic information about how research is conducted in this by:

    Psychology of Music. Popular Music Psychology Books Showing of 25 Musicophilia: Tales of Music and the Brain (Hardcover) by. Oliver Sacks (shelved 3 times as music-psychology) avg rating — 53, ratings — published Want to Read saving Want to Read.

    Basic and applied research. The goal of basic research in psychology is primarily to describe and understand behavior and mental processes without immediate concern for a practical use. Such research, usually conducted in university settings, is essential to the expansion of scientific knowledge and the development of theories. Psychomusicology: Music, Mind, and Brain ® publishes leading-edge content in the field of music perception, cognition and neuroscience.. The journal invites authors to submit full-length manuscripts reporting experiments, integrative and evaluative reviews of research, and theoretical papers that are either based on or related to experimental research.


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Experimental research in the psychology of music, 10 by Edwin Gordon Download PDF EPUB FB2

Experimental research in the psychology of music, by Edwin Gordon Published by University of Iowa Press in Iowa City, : Experimental research in the psychology of music (University of Iowa.

Studies in the psychology of music, v. 6-) Hardcover – January 1, by Edwin Gordon (Author) › Visit Amazon's Edwin Gordon Page. Find all the books, read about the author, and more.

Cited by: 4. The psychological study of music reading is atypical of music perception studies in two ways. First, this chapter identifies a clearly defined behavioral goal in most non-laboratory music reading situations.

This is not the case for many music listening behaviours. 10. book, the object of perception is visual, not auditory. The first of these features provides the investigator with some.

An investigation of the stability of musical aptitude among primary-age children / Robert DeYarman --Fourth-year and fifth-year final results of a longitudinal study of the musical achievement of culturally-disadvantaged students / Edwin Gordon --The effects of tonal pattern training on the performance achievement of beginning wind instrumentalists / Carol B.

MacKnight --An experimental analysis of the development of tonal. Additional Physical Format: Online version: Gordon, Edwin, Experimental research in the psychology of music.

Iowa City, University of Experimental research in the psychology of music Press [ ISBN: X OCLC Number: Description: vii, pages illustrations, music 23 cm. Contents: Preface --A study of ability in spontaneous and prepared jazz improvisation among students who possess different levels of musical aptitude / Joseph James Briscuso --An investigation of the effect of the provision of the "In doubt" response option on the reliability and.

ISBN: OCLC Number: Description: vii, pages illustrations, music. Contents: Preface --A computer simulation of musical performance adjudication / Warren C.

Campbell --The rhythmic perception of micro-melodies: detectability by human observers of a time increment between sinusoidal pulses of two different, successive frequencies. ISBN: X OCLC Number: Description: pages. Contents: An experimental analysis of the development of rhythmic and tonal capabilities of kindergarten and first grade children / Robert M.

De Yarman --Third-year results of a five-year longitudinal study of the musical achievement of culturally-disadvantaged students / Edwin Gordon --The nature of absolute pitch.

Diana Deutsch is Professor of Psychology at the University of California, San Diego, and conducts research on perception and memory for sounds, particularly music/5(6). Experimental Research in the Psychology of Music Vol. 9 by Edwin Gordon (Author) ISBN ISBN X. Why is ISBN important.

ISBN. This bar-code number lets you verify that you're getting exactly the right version or edition of a book. The digit and 10 Cited by: 4. The Psychology of Music draws together the diverse and scattered literature on the psychology of music.

It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or Book Edition: 1.

The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables.

The book is intended as a comprehensive reference. The aim of the psychology of music is to understand musical phenomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music.

Since publication of the first edition of The Psychology of Music, the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology as a result of several factors.5/5(1). This subject will encompass an initial exploration of music psychology research.

Selected researchers within the field, including music therapists, behavioural neuroscientists, neuropsychologists, and experimental psychologists will outline recent and current practical research involving music across the.

The psychology of music has had a presence in the Music Faculty sinceand was firmly established in with the appointment of Eric Clarke as Heather Professor of Music. Eric Clarke has research interests in the psychology of performance, ecological approaches to music perception and musical meaning, the psychology of musical rhythm.

The book shows that the psychological study of music reading is an important area of the psychology of music which nevertheless has bearing on central theoretical and practical issues in music. It offers one important route to a better understanding of the nature of musical cognition itself.

Psychology of Music publishes peer reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies.

The Psychology of Music, Third Edition, is a comprehensive reference for understanding the perception, cognition, and performance of music. The first edition became the calling card for the establishment of the field, the second edition was extremely well-reviewed, and the third edition is now 80% revised, incorporating what are now standard areas of study on pitch, rhythm, scales, etc, with /5(5).

Larry Christensen's "Experimental Methodology," Tenth Edition, is a reader-friendly introduction to the basic principles of experimental psychological research. The text provides instruction in experimental research as well as non-experimental approaches such as ex-post facto research, correlational research, and survey research.

Also included are qualitative research approaches such as. "The book combines cutting edge scientific research with the accessibility of a TED-talk, it is a fascinating insight into our relationship with music" Waterstones Read more» Studying music psychology.

The Psychology of Music draws together the diverse and scattered literature on the psychology of music. It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or the types of.

This experiment tested children aged five and nine years in their abilities to perceive in music. The non-verbal response instrument used schematic faces arranged in a semantic differential format within each of Wedin's () three musical mood by: Experimental Research in Music: Workbook in Design and Statistical Tests by Madsen, Clifford K.

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